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The film ends with the obvious inclusion and recognition of The Raid, which after the action genre’s 20 year absence. We also learn of Indonesia’s vibrant and popular comic book industry, where many properties were adapted into this B-movie action films, including the superhero Jaka Sembung, portrayed by action icon Barry Prima in the hugely successful The Warrior (1981). Instead, he strikes a balance by including contributions from local film critics, scholars and film fans.
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Meiresonne, the director, should also be commended for not simply making an ultimate video mashup of his favorite clips. This section of Garuda Power is a hell-of-a-ride, showcasing the pure audacity, charisma, and grindhouse trends that made this time truly special and innocent. The ‘meat’ of the documentary, understandably, is devoted to Indonesian action cinema’s heyday, starting from the late 1960s to its temporary demise in the 1980s. This era is unfamiliar to western audiences and is presented succinctly to whet the interest of cineastes to explore further with their own research.
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The film begins with a short, but fascinating overview of the earliest iterations of Indonesian cinema, which were primarily Dutch and Chinese productions. In a way, he’s like a wandering and ghostly time traveler, with these segments reminiscent of Davy Chou’s Golden Slumbers, an ode to the lost and destroyed Cambodian cinema.
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Astute in his ratio of presenter-to-camera moments, Meiresonne instead emphasizes interviews, narration and clips, with narration done by Rudolf Puspa, who’s segments are all shot in the Indonesian film archive and in various abandoned cinemas. From the birth of the local film industry in the 1920s and ‘30s, its heydays of the ‘70s, its decline in the early to mid-’90s, and to its resurgence in a new generation after the nation’s democratization in 1998, leading up to its resurgence with The Raid films, this documentary is the perfect starter-kit, jam-packed with clips from what must be hundreds of films, lovingly assembled by director Bastian Meiresonne. S.O.S.Garuda Power: The Spirit Within is a documentary exploring the little known history of Indonesian action films.El Castillo de los Monstuos (Mexico, 1958).from En lejemorder ser tilbage set me straight: There were two further Jaka Sembung films made in the 90s in which he also starred. *I had originally thought that Prima only starred in the initial trilogy of Jaka Sembung films, but Jack J.
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Really, Barry, I would think that the fact alone that you made a man who is really way too old to be enjoying these type of films whip off his shirt and drunkenly twirl it over his head in excitement would be a great source of pride for you. (Though Zurmaini, unfortunately, is ill served by a couple of poorly lit night time action scenes.) In other words, despite what he might say, Barry Prima has nothing to be ashamed of here. In fact, the comparatively down-to-earth nature of the film's approach works in some ways to its advantage, as, with less reliance on wire work and effects, we get to see more of a display of both Prima's and Zurmaini's (or their stunt doubles') real world skills as martial artists, which are, in both case, indeed impressive.
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(And it is in this moment that the lack of subtitles is most acutely felt, as we non-Indonesian speakers don't get to be privy to the impassioned patriotic speechifying that Prima engages in throughout.) Of course, the real thrill of this sequence is that, by the time Barry is going through his agonies, we have been thoroughly sucked into the moral logic of the film, and are eagerly awaiting the moment when Bajing Ireng will show up to free him and, with him, turn the tables on the white devils and their cronies with resounding finality. This in turn leads to the tableau of martyrdom that sits at the center of every Jaka Sembung film, in this case with Barry being stretched on the rack before being strapped underneath a razor sharp pendulum. This, of course, only leads to more suffering for the common folk, and the virtuous Jaka must eventually turn himself in to the authorities in order to put a stop to it. The hero then thoughtfully has Volcano Guy's head delivered to the colonial forces. The resulting confrontation is indeed a close match, but Jaka ultimately calls upon his magical powers, delivering a blow to Volcano Guy that literally shatters him into pieces.
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